Category Archives: only Eb saxes yeah

13th March 2019: Entropi/Sloth Racket at Kings Place

LUME is thrilled to announce an Entropi/Sloth Racket double bill at Kings Place on 13th March. It’s part of the Venus Unwrapped series, which throws a spotlight on female composers and is a great opportunity for LUME co-founders Cath Roberts and Dee Byrne to showcase their projects in such an amazing venue. This performance at Kings Place marks the start of exciting LUME plans in the pipeline for later on this year. Cath and Dee have spent 2018 concentrating on their own musical projects and are pleased to share the stage with their bands for this special occasion! Cath’s band Sloth Racket will be coming fresh from a recording of their next album, to be released on Luminous in September. Dee’s band Entropi will perform a few recently penned compositions as well as material from their previous albums.

Grab your tickets to this one-off event!

Here’s a bit about the bands:

Sloth Racket

Sloth Racket is a band of UK improvisers led by baritone saxophonist Cath Roberts, with Sam Andreae on alto saxophone, Anton Hunter on guitar,  Seth Bennett on bass and Johnny Hunter on drums. They play Cath’s compositions, combining written fragments with graphic notation to explore the balance between freedom and structure. The results are always different, and so far have ranged across musical territories taking in fiery free jazz, minimal improv textures and heavy riffs.

The band formed in 2015 when Jazz North East invited Cath to present a new project at Gateshead International Jazz Festival. Everyone agreed this had to be more than just a one-off, and they went on to appear at London Jazz Festival, Brighton Alternative Jazz Festival and LUME Festival, as well as doing four UK tours so far. Sloth Racket’s third studio album A Glorious Monster is out on the Luminous label.

‘Lurching between riff and abstraction…maintains an elegant balance between emergent melody and the wilder activity at its fringes’ The Wire

‘Consider this an important contribution to the debate about spontaneity versus form.’ ★★★★ Jazzwise

Photo credit: Agata Urbaniak

Entropi

Entropi has been steadily developing its own dynamic band sound since its beginnings in 2010. Placing a high importance on improvisation, Dee Byrne’s compositions allow breathing space for depth of communication and interaction between the band members. Juggling order and chaos, composition and improvisation, the group takes listeners on a journey with compelling group interplay, strong themes, open-ended improvisation, dark grooves and interweaving melodic textures.

The ensemble comprises bandleader and alto saxophonist Dee Byrne, trumpeter Andre Canniere, keyboardist Rebecca Nash, drummer Matt Fisher and bassist Olie Brice. Having performed live together for some time, the band has achieved a striking empathy and freedom to take risks. Entropi’s second album Moment Frozen was released on Whirlwind Recordings in September 2017. Their performance at Marsden Jazz Festival in October 2018 was broadcast on Radio 3’s Jazz Now programme on Christmas Eve.

‘Intense, muscular jazz voyage.’ ★★★★ The Guardian

‘Byrne’s second album possesses both maturity and complexity but crucially it’s imbued with its own cohesive energy.’ ★★★★ All About Jazz

Photo credit: Carl Hyde

LUME Lab project blog #1: Word Of Moth


Dee Byrne (alto sax), Cath Roberts (baritone sax), Seth Bennett (bass), Johnny Hunter (drums)

Word Of Moth is a collaborative quartet set up by LUME founders Dee and Cath: we needed something musical to offset all the admin work we do together! The band has just got a new drummer, Johnny Hunter, and so we’ve used our LUME Lab slot to develop the new lineup, taking existing material in new directions as well as working on some brand new music together. The band is recording its debut album this month, and heading to Switzerland to play at the Jazzwerkstatt collective’s tenth anniversary festival, so this LUME Lab date is the start of some exciting moth times. A few words about what we’ve been doing before you join us on 8th February…

Dee writes:

We had a good rehearsal yesterday [25th January], working on some new material, which we’ll perform at IKLECTIK on 8th February and will also be recording on 16th February. The line-up in Word of Moth (drums, double bass, baritone sax and alto sax) is a new challenge for me to compose for; the absence of a chordal instrument encourages me to take a new approach and look more creatively at the specific roles of each instrument. The horns can comp a bass or drum solo as well as play melodies and improvise, which is a fun extra element.

The new compositions I brought to the rehearsal were not polished arrangements, but instead took the form of a few distinct sections, which we then workshopped and arranged as a group. It’s a fun and collaborative way to work and led to some cool results! Some of the things we looked at were transitions between different sections such as introducing a riff/theme during a solo or half the group moving to the next section resulting in two sections overlapping (that sounded great!)

Cath writes:

For Word Of Moth I’ve found myself taking a different approach to composing than I usually might. My current concerns with my regular band Sloth Racket are about using a combination of graphics and conventional notation to create structures for us to improvise our way through. This involves lots of cutting, sticking and photocopying to create scores as if the computer had never been invented.

For some reason though, for WoM I’ve found myself writing pieces that are more like short rock/pop songs! For the LUME Lab rehearsals I’ve been bringing in simple riffs or hooks, sometimes with an attached melody, but not much in the way of fully developed structures. This has led to some pretty stripped-down sounding music, with a lot of space for us to improvise and develop the tunes together. Plus I get to rock out playing some heavy riffs on bari, or rock out while listening to Seth playing them on bass, which is extremely satisfying.

It will be good to pull the pieces together and try them out at our LUME Lab gig – by which time we should be a step closer to being ready to go into the studio too….

Word Of Moth’s LUME Lab gig is 8th February at IKLECTIK, near Waterloo. Doors at 8pm, music 8.30pm. Tickets are on sale now from the Luminous Bandcamp site, and we’d love to see you there.

14th May: Corey Mwamba’s ‘New Dark Art’

This week we welcome improvising vibraphone player, multi-instrumentalist and composer Corey Mwamba back to Long White Cloud for a special concert: the London premiere of his composition ‘New Dark Art’.

In 2014 Corey completed an MRes at the University of Keele, producing ‘New Dark Art’ as a part of this research project. His focus was on the improvisational, conducting and notational practices found in medieval music, and how these might inform the music of contemporary improvising musicians and composers. The idea wasn’t to create a musical fusion of jazz and medieval music, but rather to look how medieval approaches could be employed to create new music. You can read more about the project on Corey’s MRes website.

At this week’s gig, music from ‘New Dark Art’ will be performed by an improvising Eb sax quartet and by Corey on solo vibraphone. The sax quartet met once last year to try out the music with Corey in a rehearsal, and performed it for the first time in Derby on 7th May this year. Join us for a fascinating evening of new music!

Featuring:

Chris Williams alto saxophone

Tom Ward alto saxophone

Colin Webster baritone saxophone

Cath Roberts baritone saxophone

and the composer Corey Mwamba on vibraphone

nda sheet music