We had a fantastic night at the last LUME of 2022. A lovely busy gig to finish off our year! Watch this space for more…
Cath Roberts and Bill Thompson
Matt Fisher and Dee Byrne
Olie Brice ‘From The Mouths of Lions’ string project
Organisers’ end-of-year selfie
November’s EFG London Jazz Festival special offers the following treats…
Adam Fairhall & Dee Byrne
Accordion, toy piano and alto saxophone collision.
adamfairhall.co.uk | deebyrnemusic.com
Tom Ward solo
Flute, saxophone and clarinet odyssey.
madwort.co.uk
Dominic Lash & Cath Roberts
Baritone saxophone and double bass summit.
dominiclash.blogspot.com |cathrobots.co.uk
Advance tickets available from the Luminous website or you can pay £10 cash on the door!
For the last gig in this season we welcome this excellent selection of artists…
Rebecca Nash & Dee Byrne
Keyboard and alto saxophone duo explorations.
rebeccanashmusic.com | deebyrnemusic.com
Andrew Lisle solo
Improvised sonic landscapes on drum kit.
www.andrewlisle.com
Dirk Serries/Tullis Rennie/Cath Roberts
Interrogating the acoustic spaces of guitar, trombone and baritone saxophone.
newwaveofjazz.com| tullisrennie.com | cathrobots.co.uk
Join us at HYG: doors 19:30, music at 20:00, and it’s £10 on the door.
LUME is back in 2022: we’re kicking off another season at Hundred Years Gallery with these improvised encounters…
Caroline Kraabel & Khabat Abas
First meeting of this alto saxophone and cello duo.
masskraabel.com | khabatabas.com
Dee Byrne solo
Sonic explorations with saxophone and effects pedals.
deebyrnemusic.com
Alex Bonney & Cath Roberts
Trumpet and baritone saxophone dialogues with electronics.
alexbonney.co.uk | cathrobots.co.uk
Join us back at the gallery! Doors 19:30, music starting 20:00, £10 on the door.
Check out the June and July lineups over on the gig listings page.
WE’RE BACK! We’re excited to announce a new LUME mini-series at Hundred Years Gallery on 15th July and 12th August. Looking back at our gig archive, our last gig there was on 1st December 2017…
Places are limited, so email info@hundredyearsgallery.com to reserve a seat. Doors 7.30pm, music starts at 8pm. Tickets are £5.
Hundred Years Gallery, 13 Pearson Street, London, E2 8JD. Nearest station: Hoxton (Overground).
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15th July 2021
Cath Roberts
Cath Roberts’ work explores free improvisation, composition and the music at their meeting point. Her band Sloth Racket has toured widely and released several albums, and she collaborates with many other artists as an improviser, primarily on baritone saxophone. cathrobots.co.uk
Sam Andreae
Sam Andreae is an artist working in the area of free improvisation. “Andreae delves into an impressive vocabulary of skilfully controlled overtones, rapid keypad flutters and fragile harmonics, glistening like filaments held up to the light.” Daniel Spicer, The Wire (2015) samandreae.com
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Graham Dunning
Graham Dunning’s work explores sound as texture, timbre and something tactile, drawing on bedroom production, tinkering and recycling found objects. He also makes visual work, video and installations relating to these themes. grahamdunning.com
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Deemer + 1
Dee Byrne is a London-based saxophonist, composer and improviser with an interest in pushing the boundaries of jazz. Dee collaborates with artists from the UK and Europe who occupy the area of contemporary jazz, avant-garde and free improvisation. deebyrnemusic.com
Merijn Royaards is a sound artist guided by convoluted movements through music, art and architecture. The interaction between space and sound in cities with a history/present of conflict has been a recurring theme in his multi-media work. merijnroyaards.com
Johnny Hunter is a northern UK-based drummer and composer who comes from a background of both the avant-garde and more mainstream jazz. Johnny leads a number of his own projects from quartet to large ensemble, all of which showcase his fast-developing compositional practice. johnnyhuntermusic.com
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12th August 2021
Cath Roberts
Cath Roberts’ work explores free improvisation, composition and the music at their meeting point. Her band Sloth Racket has toured widely and released several albums, and she collaborates with many other artists as an improviser, primarily on baritone saxophone. cathrobots.co.uk
Benedict Taylor
Benedict Taylor is a British avant-garde violist, violinist and composer. He is a leading figure within the area of contemporary string performance, at the forefront of the British & European classical and new music world. benedicttaylor.bandcamp.com
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Tom Ward
Tom Ward is a musician, composer and computer programmer from Yorkshire, currently based in London. His primary instrument remains the saxophone, but in recent years he has increasingly focused on bass clarinet and flutes. madwort.co.uk
Charlotte Keeffe
Charlotte Keeffe’s unique approach and passion for jazz, experimental and freely improvised music sees her performing regularly as a soloist and as part of a variety of different ensembles, including her own quartet. charlottekeeffe.com
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Dee Byrne
Dee Byrne is a London-based saxophonist, composer and improviser with an interest in pushing the boundaries of jazz. Dee collaborates with artists from the UK and Europe who occupy the area of contemporary jazz, avant-garde and free improvisation. deebyrnemusic.com
Olie Brice
Olie Brice is an improvising double bassist from London. He leads two bands – a quintet that plays his original compositions and a freely improvising trio featuring Tobias Delius and Mark Sanders. He has also worked with musicians including Paul Dunmall, Tony Malaby, Steve Swell, Achim Kaufmann, Alex Ward and Ingrid Laubrock. oliebrice.com
Andrew Lisle
Andrew Lisle is a drummer working in the field of jazz and improvised music. He strives to create music within the avant-garde, pushing the limits of what is possible on the drums (technically and musically) while drawing influence from the jazz tradition. andrewlisle.com
LUME is on hiatus this Autumn while Cath and Dee are working hard on other projects. Two of these are particularly relevant this month, so here’s the lowdown…
Entropi Moment Frozen album launch
The eagerly-anticipated second album from Entropi, Moment Frozen, is released this month on Whirlwind Recordings. To celebrate the release, Dee is taking the band on a UK tour including a special album release show at Kings Place on Friday 29th September. It promises to be a lovely evening and a great chance to hear the band playing their new album on home turf. Tickets are moving fast, so we advise getting yours as soon as you can: they’re available from the Kings Place website.
LUME regulars will know that Entropi explores a narrative of life-pondering, space-gazing and risk-taking through Dee’s striking compositions. Juggling order and chaos, composed material and improvisation, the group takes listeners on a journey with compelling group interplay, strong themes, dark grooves and interweaving melodic textures. Joining Dee in the band are four fantastic musicians, all of whom are in demand on the UK scene and beyond. It makes for a heavyweight lineup:
Dee Byrne alto saxophone
Andre Canniere trumpet
Rebecca Nash keyboard
Matt Fisher drums
Olie Brice bass
This gig will be something of a LUME social, so we’d love it if you can join us. Make sure you’re part of it by buying your tickets now!
Favourite Animals large ensemble album crowdfunder
While Dee is releasing and touring a new album this month, Cath is in the midst of the production of her own. Favourite Animals, the ten piece group originally formed for Cath’s residency at Lancaster Jazz Festival last year, went into the studio this August with Alex Bonney. They spent three days working at City, Uinversity of London – thanks to trombonist Tullis Rennie who works as a lecturer there – and recorded new versions of all the music from the Lancaster commission.
Favourite Animals is an extended version of Cath’s regular band Sloth Racket. The ten piece version adds woodwind and brass, and just generally more improvisers:
Graham South – trumpet
Tullis Rennie – trombone
Julie Kjær – flute/bass clarinet
Tom Ward – flute/bass clarinet
Dee Byrne – alto saxophone
Sam Andreae – tenor saxophone
Cath Roberts – baritone saxophone
Anton Hunter – guitar
Seth Bennett – bass
Johnny Hunter – drums
With a set of great takes waiting patiently on a hard drive, the next stage is raising the money to get the album out there. Cath is running a crowdfunding campaign this month to cover the musicians and engineers’ fees, the mixing and mastering, and the production of physical CD albums. The plan is to release the album on Luminous this December, to coincide with Favourite Animals’ joint tour with Article XI. With your help, we can finish the Luminous year with our most ambitious release to date! Check out the campaign page for more info about the project, photos from the session, and lots of backer perks to get your hands on…
That’s all for now. Thanks for reading, and keep any eye on the LUME social media channels through the month for more about these projects and some extremely exciting giveaways…
The second LUME Festival is taking place at IKLECTIK on the weekend of 24th/25th June. This year’s event will be a two-dayer, with a host of LUME’s favourite artists on the bill. Join us for two days of spontaneous musical explorations, collaborations old and new, live painting from Gina Southgate and all round good times!
Saturday: The Hat Speaks // Alex Bonney solo // Ma/ti/om // Archipelago // Sloth Racket // Corey Mwamba (LUME Lab Festival Special) // Gina Southgate
Sunday: The Hat Speaks // Tullis Rennie solo // Birchall/Cheetham/Webster/Willberg // Entropi // Metamorphic // LUMEkestra //Gina Southgate
Food // drinks // merch
2pm – midnight (live sets 3pm – 10.30pm)
Buy your tickets now from the Luminous Bandcamp site.
Praise for last year’s inaugural festival:
‘A glimpse of the kind of self-generated, mutually supportive communities we’re going to need if we’re to survive the years ahead.’ – Daniel Spicer, The Wire
‘Like all the best family get togethers LUME Festival should be an annual event. This debut was outstanding.’ – Thomas Rees, Jazzwise
Dee Byrne (alto sax), Cath Roberts (baritone sax), Seth Bennett (bass), Johnny Hunter (drums)
Word Of Moth is a collaborative quartet set up by LUME founders Dee and Cath: we needed something musical to offset all the admin work we do together! The band has just got a new drummer, Johnny Hunter, and so we’ve used our LUME Lab slot to develop the new lineup, taking existing material in new directions as well as working on some brand new music together. The band is recording its debut album this month, and heading to Switzerland to play at the Jazzwerkstatt collective’s tenth anniversary festival, so this LUME Lab date is the start of some exciting moth times. A few words about what we’ve been doing before you join us on 8th February…
Dee writes:
We had a good rehearsal yesterday [25th January], working on some new material, which we’ll perform at IKLECTIK on 8th February and will also be recording on 16th February. The line-up in Word of Moth (drums, double bass, baritone sax and alto sax) is a new challenge for me to compose for; the absence of a chordal instrument encourages me to take a new approach and look more creatively at the specific roles of each instrument. The horns can comp a bass or drum solo as well as play melodies and improvise, which is a fun extra element.
The new compositions I brought to the rehearsal were not polished arrangements, but instead took the form of a few distinct sections, which we then workshopped and arranged as a group. It’s a fun and collaborative way to work and led to some cool results! Some of the things we looked at were transitions between different sections such as introducing a riff/theme during a solo or half the group moving to the next section resulting in two sections overlapping (that sounded great!)
Cath writes:
For Word Of Moth I’ve found myself taking a different approach to composing than I usually might. My current concerns with my regular band Sloth Racket are about using a combination of graphics and conventional notation to create structures for us to improvise our way through. This involves lots of cutting, sticking and photocopying to create scores as if the computer had never been invented.
For some reason though, for WoM I’ve found myself writing pieces that are more like short rock/pop songs! For the LUME Lab rehearsals I’ve been bringing in simple riffs or hooks, sometimes with an attached melody, but not much in the way of fully developed structures. This has led to some pretty stripped-down sounding music, with a lot of space for us to improvise and develop the tunes together. Plus I get to rock out playing some heavy riffs on bari, or rock out while listening to Seth playing them on bass, which is extremely satisfying.
It will be good to pull the pieces together and try them out at our LUME Lab gig – by which time we should be a step closer to being ready to go into the studio too….
Word Of Moth’s LUME Lab gig is 8th February at IKLECTIK, near Waterloo. Doors at 8pm, music 8.30pm. Tickets are on sale now from the Luminous Bandcamp site, and we’d love to see you there.
Quick post to share Dan Paton’s photo of the LUMEkestra in action last night at IKLECTIK. It was a fantastic night: the venue was packed out, good times were had and new music was made. There will be more…..see you next time!
This month we return to Hundred Year’s Gallery to host a fantastic touring double bill of improvised music. It’s great to have Sam Andreae back at LUME after his appearance last year with Rodrigo Constanzo, and more recently of course as part of Sloth Racket. Doors are 8pm, music 8.30pm, and tickets are available in advance from the Luminous Bandcamp site.
Hundred Years Gallery, 13 Pearson Street, E2 8JD. Nearest station: Hoxton overground.
Richard Scott’s Lightning Ensemble
The Lighting Ensemble is Richard Scott’s UK-based hyper-interactive free improvising group with longtime collaborators Phillip Marks and David Birchall. Intricate, intimate, dynamic, molecular and often explosive music.
The ensemble focuses on a highly interactive, conversational post-free jazz form of free music that Scott calls ‘molecular improvisation’, influenced by disciplines originally pioneered by John Stevens and the Spontaneous Music Ensemble. Scott’s approach to electronics is fast and visceral and the group’s sound reflects his interest in speed, intensity and collective musical communication.
The Lightning Ensemble itself has been in existence for five years but the individual players in the group have a much longer history of playing together. Scott and Marks have been working together for over two decades in groups such as Grew Trio and Bark! Marks and Birchall, separated in age by 30 years, nonetheless discovered their absolutely compatible natural musical affinity over the past five years via the improvising scene in the north of England. In 2016 there are 3 new albums prepared for release: one is the trio alone, one featuring Sam Andreae on saxophone and one with Jon Rose on violin.
Sam Andreae
Sam’s music explores ideas of stasis through chaos, concrete gestures vs abstraction, subversion of learned behaviours/actions, extremes of attack or sustain and spontaneity. All the audible possibilities of the saxophone are approached with a concept of sound equality – one language formed from many contrasting parts – informed by playing with many percussion and electronic musicians and driven by a desire to blend with these instruments in order to form a cohesive ensemble sound. His composition work focuses on exploiting behavioural/interaction based elements through sound and gesture, these ideas also mix into his improvised performances. However deeply thought out a concert or work might be, Sam believes keeping a lightness and fragility in any performance situation is essential in order to achieve an engaging and truly spontaneous musical experience.
“Andreae delves into an impressive vocabulary of skilfully controlled overtones, rapid keypad flutters and fragile harmonics, glistening like filaments held up to the light”
– Daniel Spicer, The Wire (2015)
