Our second gig of 2022 has arrived! Featuring:
Lara Jones & Dee Byrne
Sonic investigations combining saxophones and live electronics.
larajonesmusic.com | deebyrnemusic.com
Suren Seneviratne solo
Tabletop electronic experiments.
surenseneviratne.com
Gina Southgate & Cath Roberts
Freeform collision of baritone saxophone, objects and bric-a-brac.
artistginasouthgate.com| cathrobots.co.uk
Doors 19:30, music starting 20:00, £10 on the door. Join us!
In recent months we’ve found ourselves posting on this blog about new releases on the LUME offshoot label, Luminous. No longer! The label now has a shiny new website all of its own. On there you can read about all the releases on the label so far (including the new Deemer + 1 album coming next month), and information about the artists.
There is also a new mailing list for the label, so do sign up if you’d like to be kept updated on future releases and label-related activities….
This month at the Vortex, a special evening of improvised music with electronics for the launch of the first release on our new Luminous label! Tonight LUME welcomes Deemer, who are releasing their debut album ‘Interference Patterns’ on Monday 7th December. They are joined on the other side of the bill by multi-instrumentalist Chris Sharkey, playing a Survival Skills solo set.
Deemer
The brain-child of Merijn Royaards and Dee Byrne, Deemer started life in 2006 as a weekly improvisation/electronics session in a warehouse in Hackney Wick. The project has since evolved into an installation/performance based electro-acoustic two-piece orchestra, whose aural narratives are created within fluid frameworks that map a trajectory in time, but leave the sonic textures and compositions entirely free and undetermined. Deemer employ, among other things, alto saxophone, analogue electronics, tape, transducer microphones/speakers to instantly compose, activate space, and blur the boundaries between free jazz and sound installation.
Survival Skills
Survival Skills is the solo project of Chris Sharkey (trioVD, Acoustic Ladyland, Shiver). It has no fixed instrumentation but the music is often comprised of various processed layers created in real time by hardware including synths, sequencers, cassette recordings, vocals and guitar…
‘ a lo-fi vision of mangled techno, where beats cluster and stumble in their fight for dominance; a highly intriguing piece of noise art.’ – data transmission
As usual, doors are at 7.30pm and the music will start at 8pm. See you there!
Poster by Cath Roberts.
An evening of improvised music featuring musicians from London, Manchester and Macclesfield!
Andreae/Knight/Ward
A brand-new trio project for 2015, featuring a unique instrumentation that provides a fascinating palette of sounds for improvisation. Two saxophones are joined by no-input mixer…the first appearance of this instrument at LUME so far!
No-input mixer involves wiring the outputs of a standard mixing desk into the inputs to create feedback loops that act as signal generators. This can then be manipulated using the mixing desk’s various functions, producing a wide variety of electronic sounds and textures when in skilled hands. Combined with the extended saxophone techniques of Andreae and Ward, the trio creates a unique aesthetic that explores the outer limits of improvisation and noise music.
Sam Andreae tenor saxophone
Richard Knight no-input mixer
Tom Ward alto saxophone
Pete Ibbetson/Rory Simmons
Debut performance of this duo, made up of two musicians often seen in other contexts on the creative music scene. Rory Simmons’ bands Fringe Magnetic, Monocled Man and Eyes Of A Blue Dog have all released critically acclaimed albums, while Ibbetson has appeared on BBC Radio 3’s ‘Jazz on 3’ with his own band The Twelveheads.
In addition to drums and trumpet, an emphasis on electronic soundscapes will be prevalent through the use of analogue synths and sound processing. The duo take inspiration from free jazz, improv, rock, electro-acoustic music and electronica, citing bands such as Chicago Underground, Science Friction and Bloodcount as big influences.
Rory Simmons trumpet / electronics / synths
Peter Ibbetson drums / synth / electronics
Join us at Long White Cloud for a foray into improv with electronics….
A fantastic double bill of experimental improv this week, as not one but TWO touring groups stop off to play for us at Long White Cloud. Guitarist Han-earl Park, based in Ireland, brings his top class new trio with Dominic Lash and Mark Sanders, while Sam Andreae (who you might remember from Trio Riot’s gig at LUME last year) and Rodrigo Constanzo travel down from Manchester to bring us their duo project Strikethrough Me And You. This will be a special night of new music, so make sure you can join us.
Han-earl Park / Dominic Lash / Mark Sanders
Improviser, guitarist and constructor Han-earl Park has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for twenty years. He has performed in clubs, theatres, art galleries, concert halls, and (ad-hoc) alternative spaces across Europe and the USA. Park engages a radical, liminal, cyborg virtuosity in which mind, body and artifact collide. He is driven by the social and revolutionary potential of real-time interactive performance in which tradition and practice become creative problematics. As a constructor of musical automata, he is interested in partial, and partially frustrating, context-specific artifacts; artifacts that amplify social relations and corporeal identities and agencies.
Ensembles include Mathilde 253 with Charles Hayward and Ian Smith, Eris 136199 with Nick Didkovsky and Catherine Sikora, and Numbers with Richard Barrett. Park is the constructor of the machine improviser io 0.0.1 beta++, and instigator of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Mark Sanders, Josh Sinton, Louise Dam Eckardt Jensen, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder, and as part of large ensembles led by Wadada Leo Smith, Evan Parker and Pauline Oliveros. Festival appearances include Freedom of the City (London), Sonorities (Belfast), ISIM (New York), dialogues festival (Edinburgh), CEAIT (Los Angeles) and Sonic Acts (Amsterdam). His recordings have been released by labels including Slam Productions, Creative Sources and DUNS Limited Edition.
Dominic Lash is a freely improvising double bassist, although his activities also range much more widely and include playing bass guitar and other instruments; both writing and performing composed music; and writing about music and various other subjects. He has performed with musicians such as Tony Conrad (in duo and quartet formations), Joe Morris (trio and quartet), Evan Parker (duo, quartet and large ensemble) and the late Steve Reid. His main projects include The Dominic Lash Quartet, The Set Ensemble (an experimental music group focused on the work of the Wandelweiser collective) and The Convergence Quartet. Based in Bristol, Lash has performed in the UK, Austria, Finland, France, Germany, the Netherlands, Norway, Spain, Switzerland, Turkey and USA. For nearly a decade he was based in Oxford and played a central role in the activities of Oxford Improvisers; much of 2011 was spent living in Manhattan. In 2013 and 2014 he is taking part in Take Five, the professional development programme administered by Serious.
Mark Sanders has played with many renowned musicians from around the world including Evan Parker, Peter Brotzmann, Derek Bailey, Myra Melford, Paul Rogers, Henry Grimes, Roswell Rudd, Okkyung Lee, Barry Guy, Tim Berne, Otomo Yoshihide, Luc Ex, Ken Vandermark, Sidsel Endresen and Jean Francois Pauvrois, in duo and quartets with Wadada Leo Smith and trios with Charles Gayle with Sirone and William Parker. New collaborative projects include ‘Riverloam Trio’ with Mikolaj Trzaska and Olie Brice, ‘Asunder’ with Hasse Poulsen and Paul Dunmall, duos with John Butcher and DJ Sniff, ‘Statics’ with Georg Graewe and John Butcher, and trio with Rachel Musson and Liam Noble.
Mark has performed in the USA, Canada, Brazil, Japan, Morrocco, South Africa, Mozambique and Turkey, playing at many major festivals including, Nickelsdorf, Ulrichsburg, Glastonbury, Womad, Vancouver, Isle of Wight, Roskilde, Berlin Jazz days, Mulhouse, Luz, Minniapolis, Banlieue Bleues, Son D’hiver and Hurta Cordel. He has released over 120 CDs.
Photo of Han-earl Park by Seán Kelly.
Strikethrough Me And You
This will be the first London gig for the battle/game pieces duo Strikethrough Me And You. They have devised a system of guided improvisation in which the pieces they explore are ‘not really compositions,’ as ‘modes of interaction may be determined, but the content is improvised’. Armed with their experience as improvisers and composers, the two musicians will be navigating this murky and/or fertile territory between the pre-determined and the spontaneous.
Sam Andreae is a musician active as an improviser and composer in Britain and Scandinavia. Currently living in Manchester, Sam approaches improvisation through the exploration of sound and abstract noise, developing extended uses of the saxophone both acoustically and through electronic augmentation. Originally trained as a classical musician he has developed is own musical voice through varied experiences in improvised, jazz and noise music, with the time he has spent in Scandinavia being a particularly formative period. Sam has had the pleasure of recently performing with Le Quan Ninh, Lisa Ullén, Christian Wolff, Michael
Duch, David Birchall, Mette Rasmussen, Corey Mwamba, Alex Bonney, Olie Brice, Colin Webster, Marlyn Crispell, Trio Riot, Silence Blossoms and Distractfold Ensemble.
Rodrigo Constanzo is a performer and composer living in Manchester. He is an avid improviser and performs regularly using home made electro acoustic, and modified electronic instruments. He is currently working towards a PhD in Composition at the University of Huddersfield and co-runs The Noise Upstairs, an improv collective and label which puts on monthly nights and quarterly workshops in Manchester.
Sam and Rod artwork by Angela Guyton.
We’re back! For our first gig at Long White Cloud after the summer break, we have a double bill of acoustic/electronic improvised music from London and Brighton. duck-rabbit brings together some musicians who have appeared at LUME with different projects, while The Static Memories is a duo of two top improvisers and our first band from the Brighton scene.
This new improvising trio explores two contrasting and overlapping personalities; one acoustic, one electronic. Using unique electronic instruments, they interact with their acoustic improvisations to form a rich and varied dialogue. Their interaction creates an absorbing interplay between past and present, a constant re-imagining of ideas within an expanded sonic terrain. Two releases, ‘Path To Field’ and ‘Scattered Voices: Part 1’ came out in early 2014.
Joe Wright – saxophone/electronics
Tom Taylor – piano/electronics
James Opstad – double bass/electronics
The Static Memories
Dan Powell and Gus Garside have been working together on improv project The Static Memories since 2007. Their new album ‘The bloudy vision of John Farley’ came out in June on The Slightly Off-Kilter Label.
Dan Powell (laptop/guitar/sampler/effects) began making sound for installation works in London in the mid 90’s and was involved in live arts group OMSK. Since moving to Brighton in 2000 he has concentrated on experimental and improvised music. He is a member of Brighton based collective The Spirit of Gravity and has performed across the UK. Dan is also a member of free improv duo Nil with Chris Parfitt.
Gus Garside (double bass/electronics) has worked in a variety of musical settings – jazz, contemporary music, pop, cabaret, dance, theatre and, most importantly, improvised music where he has performed with many leading players. Gus formed arc in 1988 and their third album “the pursuit of happiness” was released on Emanem Records in 2009. He formed In Sand in 2004 and their first album “Whatever” came out mid 2008. Gus is part of the Brighton Safehouse collective, and has collaborated with a wide range of improvising and contemporary music players and dancers and frequently works with laptop musicians and also performs solo.
+ Special guest dancer Mirei Yazawa
This will be a fascinating evening of new music – come and join us as we kick off the next season of Long White Cloud gigs. Don’t forget that this is a double LUME week too, as our second ‘LUME Presents…’ gig at the Vortex, with Corey Mwamba and Deemer, is this Sunday!
We’re very excited to announce a new venture for late Summer and Autumn 2014: ‘LUME Presents…’ at the Vortex in Dalston! We will be hosting monthly double bills of our favourite musicians every first Sunday of the month starting on August 3rd. Join us for an extra dose of great original and improvised music…and a great excuse for some brand new artwork from the amazing Peter Beatty! Tickets are on sale from the Vortex website.
Quick update about this week’s gig. Sadly, Clive Bell has had to pull out of the Molino de Otoño set on Thursday, but electronic music composer and improviser Visa Kuoppala has kindly stepped in! He is a regular collaborator with the group and they have sent over a biog…
Visa Kuoppala is a Finnish composer, improviser and field recordist living in London. He is active in the areas of acousmatic composition and electroacoustic improvisation, fascinated with the poetic and emotional qualities of enigmatic or ambiguous sounds. He has developed a granular synthesis and feedback-based instrument called Malegra, and is currently working on a PhD in electroacoustic composition at the University of Birmingham. His works have been performed in Finland, Sweden, Denmark, Russia, England, Northern Ireland, Scotland, USA, China and Italy.
This should be a fascinating set! Come down to Long White Cloud and check them out, in a double bill with Tim/om (info in our original post below).
Doors 8pm, music 8.30pm, £5 entry.
Another double bill week to round things off for March: this time Ripsaw Catfish are stopping in on their mini-tour of the UK to share the bill with an amazing duo of Julie Kjaer and Steve Beresford.
Jule Kjaer/Steve Beresford
Steve Beresford is internationally renowned as a free improviser on piano and electronics. He plays with and conducts the London Improvisers Orchestra and has worked with hundreds of musicians, including Derek Bailey, Han Bennink, Evan Parker, Otomo Yoshihide and John Zorn. Saxophonist and flautist Julie Kjær’s edgy and thoughtful playing and ‘dark, otherworldly imagery’ (Jazzwise) has become increasingly evident around Europe, inhabiting ground between composition and free improv.
Ripsaw Catfish
Ripsaw Catfish is Anton Hunter (guitar) and Cath Roberts (baritone saxophone). The Manchester and London-based duo started meeting in September 2013 to explore improvised and composed music, and whatever lies between those things. The music employs a collection of pre-composed elements which can then be drawn upon, or not, during the course of an improvisation. Sometimes one of these acts as a starting point that is then deconstructed; other times one or more might emerge from the music, or else they might be omitted in favour of a fully improvised piece..
Doors 8pm, music starts 8.30pm, £5 entry. Long White Cloud, 151 Hackney Road, E2 8JL. Nearest station: Hoxton. See you there….