Quick post to share Dan Paton’s photo of the LUMEkestra in action last night at IKLECTIK. It was a fantastic night: the venue was packed out, good times were had and new music was made. There will be more…..see you next time!
Regular LUME gigs are on hiatus until 2017, but we’ve coaxed the LUMEfish off its sofa and put together a special one-off show as part of the EFG London Jazz Festival. Convening at IKLECTIK on Monday 14th November will be the first incarnation of the LUMEkestra, our brand new large ensemble project. Featuring:
Doors are at 7.30pm and the music will start at 8pm sharp! Tickets are available now from the Luminous Bandcamp site.
The venue is IKLECTIK, 20 Carlisle Lane, SE1 7LG.
The time has come: LUME Festival is this Sunday! If you’ve already bought your ticket online, all you need to do is turn up and give your name at the door: there are no physical tickets. All the advance tickets have gone, but there will be a small number left on the door.
13.00: Doors open
13.30: Word Of Moth
14.45: Ant Traditions
16.00: Hot Beef Three
17.15: Little Church
21.30: Article XI
01.00: Bar closes
See you there: it promises to be a great day of music!
We’re extremely happy to be able to type this: LUME Festival is going ahead! With the support of our awesome 131 Kickstarter backers, Arts Council England and the Austrian Cultural Forum, we’ll be hosting an all-dayer on Sunday 26th June at IKLECTIK.
A lot of tickets were sold through the Kickstarter campaign, but there are a limited number available from our Luminous Bandcamp site. Grab yours now and we’ll see you there for a great day of music!
The line-up, in reverse order of appearance, is:
Article XI (Manchester)
Freewheeling large ensemble led by guitarist Anton Hunter, with: Oliver Dover (alto sax), Tom Ward (tenor sax), Cath Roberts (baritone sax), Johnny Hunter (drums), Seth Bennett (bass), Graham South, Nick Walters (trumpet), Tullis Rennie, Richard Foote (trombone)
Coming over from Austria! With Led Bib’s Mark Holub (drums), Pamela Stickney (theremin) and Chris Janka (guitar)
Fantastic trio of Julie Kjær (alto sax), Rachel Musson (tenor sax) and Hannah Marshall (cello)
Little Church (Birmingham)
Quintet led by David Austin Grey (nord/synth/FX) playing compositions inspired by Miles Davis electric period featuring Rachael Cohen (alto sax), Chris Mapp (bass/electronics) and Tymek Joswiak (drums).
Hot Beef Three (Leeds)
Trio with some of Leeds’ finest improvisers: Oliver Dover (saxes), Andrew Lisle (drums), Craig Scott (guitar)
Ant Traditions (Manchester)
Top notch Manchester improv from Adam Fairhall (toy pianos) and Dave Birchall (electric guitar)
Word Of Moth (London)
Collaborative quartet from the founders of LUME: Dee Byrne (alto sax), Cath Roberts (baritone sax), Seth Bennett (bass), Tom Greenhalgh (drums)
We’ll also have artist Gina Southgate capturing the day on canvas!
Doors 1pm, music 1.30pm-10.30pm, with late bar afterwards.
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, SE1 7LG.
The festival is generously supported by Arts Council England, the Austrian Cultural Forum and 131 Kickstarter backers.
This month we return to Hundred Year’s Gallery to host a fantastic touring double bill of improvised music. It’s great to have Sam Andreae back at LUME after his appearance last year with Rodrigo Constanzo, and more recently of course as part of Sloth Racket. Doors are 8pm, music 8.30pm, and tickets are available in advance from the Luminous Bandcamp site.
Hundred Years Gallery, 13 Pearson Street, E2 8JD. Nearest station: Hoxton overground.
Richard Scott’s Lightning Ensemble
The Lighting Ensemble is Richard Scott’s UK-based hyper-interactive free improvising group with longtime collaborators Phillip Marks and David Birchall. Intricate, intimate, dynamic, molecular and often explosive music.
The ensemble focuses on a highly interactive, conversational post-free jazz form of free music that Scott calls ‘molecular improvisation’, influenced by disciplines originally pioneered by John Stevens and the Spontaneous Music Ensemble. Scott’s approach to electronics is fast and visceral and the group’s sound reflects his interest in speed, intensity and collective musical communication.
The Lightning Ensemble itself has been in existence for five years but the individual players in the group have a much longer history of playing together. Scott and Marks have been working together for over two decades in groups such as Grew Trio and Bark! Marks and Birchall, separated in age by 30 years, nonetheless discovered their absolutely compatible natural musical affinity over the past five years via the improvising scene in the north of England. In 2016 there are 3 new albums prepared for release: one is the trio alone, one featuring Sam Andreae on saxophone and one with Jon Rose on violin.
Sam’s music explores ideas of stasis through chaos, concrete gestures vs abstraction, subversion of learned behaviours/actions, extremes of attack or sustain and spontaneity. All the audible possibilities of the saxophone are approached with a concept of sound equality – one language formed from many contrasting parts – informed by playing with many percussion and electronic musicians and driven by a desire to blend with these instruments in order to form a cohesive ensemble sound. His composition work focuses on exploiting behavioural/interaction based elements through sound and gesture, these ideas also mix into his improvised performances. However deeply thought out a concert or work might be, Sam believes keeping a lightness and fragility in any performance situation is essential in order to achieve an engaging and truly spontaneous musical experience.
“Andreae delves into an impressive vocabulary of skilfully controlled overtones, rapid keypad flutters and fragile harmonics, glistening like filaments held up to the light”
– Daniel Spicer, The Wire (2015)
A double bill of touring bands this month, as Cath Roberts launches her Sloth Racket album ‘Triptych’ and Andrew Woodhead brings his improvising trio ELDA from Birmingham.
Sloth Racket is a quintet of UK improvisers led by baritone saxophonist Cath Roberts, with Anton Hunter (Beats & Pieces Big Band, Article XI) on guitar, Sam Andreae (Trio Riot, Silence Blossoms) on tenor saxophone, Seth Bennett (Metamorphic, En Bas Quartet) on bass and Johnny Hunter (Nat Birchall, Johnny Hunter Quartet) on drums. The group play Cath’s compositions, in the form of frameworks for improvisation: combining composed fragments with graphic notation to explore the balance between freedom and structure. In November 2015 they gathered to record at Limefield Studio in Manchester with John Ellis (Cinematic Orchestra) engineering. The resulting session, on a cold and rainy evening fuelled by coffee and pizza, produced three substantial tracks that range across musical territories from fiery free jazz, to minimal improv textures, to deep grooves. The album ‘Triptych’ is released in May 2016 on the Luminous label.
Cath Roberts baritone saxophone
Sam Andreae tenor saxophone
Anton Hunter guitar
Seth Bennett bass
Johnny Hunter drums
Andrew Woodhead’s latest project ELDA is a collaboration with Norwegian vocalist Kari Eskild Havenstrøm (Trondheim Voices, Kristoffer Lo) and trumpeter Aaron Diaz (The Destroyers, Sid Peacock), mixing acoustic sounds with live electronics and soundscapes. Andrew and Kari met on a musical exchange between Trondheim and Birmingham at the 2013 Cheltenham Jazz Festival, and formed this trio with Aaron to continue their collaboration and explore their shared musical interests.
Andrew Woodhead keyboard/electronics
Aaron Diaz trumpet/electronics
Kari Eskild Havenstrøm vocals/FX
We’re very happy to welcome Madwort Sax Quartet to Hundred Years Gallery for an important event in the group’s life: the making of their debut album. This gig will be recorded by Alex Bonney for a future release. Having played a sold-out gig at Manchester Jazz Festival in the summer – ably assisted at the last minute by LUME’s own Dee Byrne – the quartet are now back on home turf for this special performance.
Playing Tom Ward’s compositions, the band explores irregular grooves and unusual harmonies inspired by mathematics and numerology, framed by the intuitive expressionism of free improvisation. This is a challenging line-up that allows for beautifully blended harmonies, intricate polyrhythms and abrasive dissonances. Inspirations include the movement of the planet earth through space, Steve Coleman, pioneering saxophone quartet Rova, Tim Berne, and transcriptions of bird song.
“The group’s sychronisation, the engaging, rounded brass sound and the impressive ease with which the four musicians blended to dish out a significantly distinctive musical proposition” – LondonJazzNews.com
Tom Ward alto sax/compositions
Chris Williams alto/soprano sax
Andy Woolf tenor sax
Cath Roberts bari sax
Hundred Years Gallery, 13 Pearson Street, E2 8JD. Doors 8pm, music 8.30pm. One Bank of England note. Tickets are available in advance from the Luminous Bandcamp site.
We have a great double bill for you this month: free improvisation and original music from two fantastic UK bands! As usual at The Vortex it’s doors at 7.30pm, with the music starting around 8pm. Advance tickets are £8 from the Vortex website, or it’s £10 on the door.
Dave Kane Quartet
The quartet will be playing music from their forthcoming album, to be released on Two Rivers Records later this year. Dave says:
‘This music is my own personal reflection and dedication to the jazz lineage, all of the music that I have listened to and the music that has influenced me the most. Each track on the record is a dedication to a composer/person that has influenced me greatly throughout my career. There are tracks dedicated to the following people: Charles Mingus, John Zorn, Hamid Drake, Eric Dolphy and Henry Threadgill. For me “The jazz lineage” means the records that are in my collection… my own personal lineage to the tradition, and my resulting music as a composer influenced and shaped by the music. Most people think of the jazz tradition as jazz standards, etc. This is not what I do, or what I am interested in. I have always listened to more adventurous composers & musicians who always pushed the music forward. This is what I have achieved with my new record. Although this music is still on the contemporary/avant garde side of jazz… I would say it is some of the most accessible music I have ever written.’
Dave Kane double bass
James Allsopp saxophones, clarinet
Alex Bonney cornet/trumpet
Joost Hendrickx drums
Corey Mwamba/Cath Roberts/Olie Brice
An improvising trio of vibraphone, baritone sax and bass, this group first played together in 2014 and brings together three musicians active on the UK jazz and improvised music scene. Olie Brice leads his own quartet as well as playing in numerous other collaborations including a trio with Toby Delius and Mark Sanders; BABs with Alex Bonney and James Allsopp; Nick Malcolm Quartet; Loz Speyer’s Inner Space Music; and Alex Ward Quintet/Sextet. Cath Roberts leads two groups playing her compositions, Sloth Racket and Quadraceratops, as well as writing and improvising new music with guitarist Anton Hunter as Ripsaw Catfish. She is a member of the Madwort Sax Quartet, Anton Hunter’s Article XI, the eight-piece improvising saxophone group Saxoctopus and the collaborative quartet Word Of Moth. Corey Mwamba leads his own trio, Yana, and is involved in a variety of other groups including Sonsale; duos with Rachel Musson, Orphy Robinson and Robert Mitchell; Martin Archer’s large ensemble Engine Room Favourites; and Nat Birchall’s quintet. He is recognised as a highly creative improviser and composer working across a wide range of jazz and contemporary music, as well as a programmer of forward-looking music in his home city of Derby.
Corey Mwamba vibraphone
Cath Roberts baritone saxophone
Olie Brice bass
We’re proud to present a double bill of two cutting edge trios: Schnellertollermeier from Switzerland and Taupe from Newcastle at the super hip IKLECTIK ARTLAB. Join us!
IKLECTIK ARTLAB, Old Paradise Yard, 20 Carlisle Lane ( Royal Street corner, next to Archbishop’s Park), SE1 7LG. Doors 7.30pm, music 8.15pm.
Schnellertollermeier play music without compromises: ranging between free improvisation, hardcore jazz, modern composition and brute rock music, their style defies genre boundaries with an instrumental power that lets heart beat the head easily.
The idea of a band that sounds like one organism in which each element has its own importance and clear function was worked on intensively and put to effect on their new album „X“. The usual roles of the instruments were extended decisively – what can be perceived is a unified energy with as much explosive force as depth.
Andi Schnellmann Bass
Manuel Troller Guitar
David Meier Drums
Taupe are a Newcastle upon Tyne based trio specialising in razor-sharp polyrhythmic play, exploratory improvisation and raw, high energy live performance.
The group’s sound is built of influences drawing from free jazz and math metal to hip-hop grooves and post-bop, with a healthy dollop of skronk, all navigated down a path that seeks to blur the line between carefully constructed rhythmic compositions and explosive group improvisation.
Taupe thrive on the danger of this ambiguity, deconstructing their music in real time to weave fresh and dynamic paths through their material with each performance.
Adam Stapleford Drums
Mike Parr Burman Guitar
Jamie Stockbridge Saxophone
For our next gig at the Vortex we are excited to present two new collaborations! Come and hear some fresh new original and improvised music…
Tom Ward/Adam Fairhall/Olie Brice/Andrew Lisle
The debut performance of a new group featuring four highly creative improvisers who have appeared at LUME in other projects, but have never played all together. Tom Ward and Adam Fairhall had their names drawn out of the hat at our randomised free improvisation night last Summer, and following this initial encounter (a toy piano and bass clarinet duo) they decided to get a band together. The quartet will play new music by the bandmembers, starting from a few common reference points. The band will employ a flexible approach to harmony and form, including investigating negative harmony and stretching out with extended improvisations. Influences include the Greg Osby ‘Banned In New York’ album with Jason Moran, the ‘Monk’s Casino’ album with Alexander von Schlippenbach and Rudi Mahall, and Fieldwork with Steve Lehman, Vijay Iyer and Tyshawn Sorey.
Tom Ward alto sax, bass clarinet, flute
Adam Fairhall piano
Olie Brice double bass
Andrew Lisle drums
Dee Byrne and Ed Riches met in 2008 and have collaborated in various projects such as improvising sextet Zonica (Gareth Lockrane, Xantone Blacq, Elliot Galvin, Tom McCredie, Pat Davey) and more recently as an improvising duo using electronics. Tonight they will be joined by drummer/percussionist Matt Fisher who plays in Dee’s band Entropi. Øyeblikk (‘moment’ in Norwegian) describes the ethos of the project: a spontaneous narrative of soundscapes, riffs and themes taking the listener on a cosmic, sonic adventure. The title Øyeblikk is a nod to the fact that both Ed and Dee have a connection with Scandinavia, Dee lived in Stockholm for seven years and Ed spent a part of his childhood in Norway.
Dee Byrne alto saxophone/electronics
Ed Riches guitar/electronics
Matt Fisher drums/percussion
As usual, doors are at 7.30pm and the music will start at around 8pm. Tickets are on sale now from the Vortex website.